• 27.04.2012. - 27.05.2012.

    Yugoslavian youth press as underground press: 1968 - 1972 (Belgrade, Zagreb, Ljubljana)

    The exhibition titled Yugoslavian youth press as underground press (1968-1972; Belgrade, Zagreb, Ljubljana) deals with the unique journalistic genre developed in socialist Yugoslavia. Youth press denotes a number of publications issued by a network of youth and student organisations. Originally set up as a part of the Soviet propaganda machine, by the end of the 1960s the youth press had, in its Yugoslavian adaptation, developed certain particularities. This exhibition will focus on one aspect of those particularities – more precisely, its considerable similarities with so-called American and British underground magazines from the same period. The exhibition also points to many unexpected overlaps (in formation, content and politics) in these two genres created in, ideologically, strikingly different contexts. The display is comprised of a wealth of hard-to-find, archival material: quality reproductions of original youth and student magazines from Zagreb, Belgrade and Ljubljana, along with some exemplary issues of American and British underground magazines.

    Author of the exhibition: Marko Zubak

    Exhibition supported by: the City of Velika Gorica and the Ministry of Culture of Republic Croatia.


  • 23.09.2011. - 30.10.2011.

    UFS (User Friendly Society)

    Paolo Cirio, Sally Grizzell Larson, Kristijan Kožul and Société Réaliste


    It doesn't take a scientist to notice the powerful effect of modern technology on our daily lives. Whether Google has a degrading or enriching effect on us, cataloguing us into some kind of Borgesian library that comprises the total of human knowledge, is no longer a question reserved only for media theorists. Neither is the question of whether technology liberates us, strengthening our cognition abilities or, on the contrary, limiting us by allowing easier control over individual and social life, bound to a particular discipline (philosophy, medicine, sociology, etc.), but is questioned on a daily basis. Since technology is not God-given, the questions we pose must relate to the causes and conditions of technological inventions, rather than to their consequences alone. Therefore, it seems interesting that the traditional field of applied arts (design) - mostly due to the proliferation of new technologies – is increasingly focusing on shaping social practices, rather than on designing usable items. As our power and control over nature increase, as it becomes somehow more condensed/concentrated, being literally shaped through different protocols, so does the importance of those who govern these processes. It seems as if the traditional task of design is changing: instead of beautifying and improving everyday life, it appears that design is more and more involved in defining it.